
A tuner can feel oddly unhelpful the first time you use one. You pluck a thick string, a letter flashes, the needle jumps around, and somehow you are expected to know whether turning the peg is making things better or worse. I’d slow the whole process down. Good guitar tuning starts with knowing which note belongs to each string, then making very small adjustments while watching what the tuner does.
If you remember only one thing, make it this: tune one open string at a time from low E to high E, confirm both the note and its octave, then check all six strings again.

Standard guitar tuning runs from the thickest, lowest-sounding string to the thinnest, highest-sounding string:
Lowest pitch Highest pitch
6th string 5th string 4th string 3rd string 2nd string 1st string
thickest thinnest
E2 → A2 → D3 → G3 → B3 → E4
low E high E
The octave numbers matter. The sixth string is E2, while the first string is E4. Both notes are called E, but the thin string sounds two octaves higher. A chromatic tuner may display only the letter, so seeing “E” does not automatically mean you have reached the correct target.
I would keep the diagram beside the tuner for the first few sessions. It removes the small moment of doubt that tends to arrive around the G and B strings.
The E–A–D–G–B–E sequence matches D’Addario’s guitar tuning guide and Fender’s standard-tuning lesson. The octave assignments E2–A2–D3–G3–B3–E4 are also consistent with Korg’s published A440 guitar frequencies. Fender Play instructor Matt Lake also confirms the E–A–D–G–B–E order in Fender’s standard tuning lesson.
Set the tuner to guitar mode or chromatic mode and leave the reference pitch at A440. If you are using a clip-on model, attach it firmly to the headstock. For a pedal tuner, connect the guitar with a working cable. A phone app needs a reasonably quiet room.
Pluck one open string with a clear, moderate stroke. Let it ring. Hitting it repeatedly or very hard can make the display jump.
Most tuners show three pieces of information:
The direction varies by model, but a common needle display places flat notes on the left and sharp notes on the right. Korg’s official tuner instructions use that layout and list the six guitar pitches at A440.

Here is a single-string example using the fifth string, whose target is A2:
Target: 5th string = A2
Display shows G2 or G#2 Pitch is still below A2
Display shows A + left Correct note, but flat
Display shows A + center A2 is in tune
Display shows A + right Correct note, but sharp
Do not watch the letter alone. Confirm that you are plucking the fifth string, that the target is A2, and that the indicator has reached the center. If your tuner has a guitar mode with string numbers, look for 5A.
Mute the other five strings and begin with the sixth string. Tune in this order:
6E2 → 5A2 → 4D3 → 3G3 → 2B3 → 1E4
I prefer starting with the low E because the thick-to-thin direction is easy to follow physically. It also matches the order used in the manufacturer and teacher guidance above.
Pluck, read, adjust, and pluck again. Do not turn a peg while guessing which string it controls. Trace the string with your eyes from the bridge to its tuning machine before touching anything.

Tightening a string raises its pitch. Loosening it lowers the pitch. Peg orientation differs among guitars, so I would not memorize “turn clockwise” or “turn away.” Watch the tuner and learn what that peg does on that instrument.
Make a tiny movement, then pluck again. If the indicator moves toward the center, continue in the same direction. If it moves away, reverse direction.
When a string is sharp, lower it slightly below the target and then raise it gently back to pitch. This helps the string settle against the tuning mechanism. The adjustment should feel almost boringly small near the center.
Stop if the string becomes unusually tight, the detected note seems far from the expected target, or you cannot tell which octave you are approaching. Never force a peg through a large turn simply because the display has not shown the desired letter yet. A tuner that says E could be hearing the wrong E, and a string can break before the mistake becomes obvious.
After reaching high E, return to the sixth string and repeat the complete order. Changing one string’s tension can slightly affect the others, so the first string you tuned may have moved by the time you finish.
Use this short recheck flow:
Tune E2–A2–D3–G3–B3–E4
↓
Return to E2
↓
Recheck all six in the same order
↓
Play one familiar chord
↓
If it sounds unsettled, check all six again
D’Addario’s guide gives the same advice: tune gradually and recheck after all six strings have been adjusted. I usually care more about a stable second pass than a perfect-looking first pass.
Repeated tuning is normal after fitting new strings. Constant instability is different.
The guitar may need new strings or attention from a teacher or repair technician if a string repeatedly slips flat, the tuning peg turns without holding tension, or the tuner reading jumps even after a clean pluck. Rust, flattened string surfaces, clicking near the nut, and strings that feel unusually stiff are also reasons to pause.
If every open string is centered but familiar chords still sound noticeably sour, the problem may involve intonation or the instrument’s setup. That is no longer a basic guitar tuning task. I would leave bridge, nut, and neck adjustments to a qualified technician rather than turning hardware without a diagnosis.
E-flat tuning lowers every string by one semitone: E♭–A♭–D♭–G♭–B♭–E♭. A lesson may use it to match a recording, suit a singer’s range, or create a slightly lower sound and feel. If the lesson specifies E-flat, follow its pitches rather than standard tuning.
For basic tuning, yes. Remove the capo, tune the open strings to E2–A2–D3–G3–B3–E4, then replace the capo and check the tuning again. A capo can pull strings slightly sharp. Fender’s capo guidance recommends tuning before fitting it and checking again once it is in place.

It can work if it has a chromatic mode and a detection range that includes all six guitar strings. A tuner locked to bass or ukulele mode may display the wrong string number or reject some guitar notes. Select chromatic or guitar mode, and still verify the target octave instead of trusting the letter alone.
A440 means the A above middle C is set to 440 Hz, the usual modern reference for tuning with other instruments. Adjustable calibration lets a player match an orchestra, piano, older recording, or ensemble using another reference. Beginners should leave the tuner at 440 unless a teacher or musical setting gives a different value.
Yes. Changing one string affects the balance between string tension and the tremolo springs, so several passes may be needed. Locking nuts and bridge fine tuners add model-specific steps. Follow the guitar maker’s procedure, such as Fender’s locking tremolo instructions, or ask a technician. Do not adjust bridge or spring hardware as part of this basic lesson.
Once the six targets feel familiar, guitar tuning becomes a quiet check rather than a puzzle: identify the string, confirm the octave, move toward the center gently, and make one final pass.
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